Archive for the ‘Spotlight on Accents’ Category

Accents of the Monterey Bonsai Exhibition 2015   Leave a comment

There were not many accents this year, but of those present some of them had a great presence. I wish to share that now.

 

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Posted June 15, 2015 by California Bonsai Art in Spotlight on Accents

Bay Area Satsuki Aikokai: 20th Annual Satsuki Bonsai Exhibition, the Accents   1 comment

The fine accents of the tree exhibit.

 

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Posted May 16, 2015 by California Bonsai Art in Spotlight on Accents

Spotlight on Accents – Bay Island Bonsai 2015   1 comment

While I attend the exhibit for the trees, My wife and I gleen as much pleasure from the accents as the trees. I began taking pictures of the accents for my own pleasure and inspiration, but I also enjoy sharing the experience.

Enjoy…

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Posted January 24, 2015 by California Bonsai Art in Spotlight on Accents

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Accents of the GSBF Annual Convention 2014   Leave a comment

The 2014 GSBF Annual Convention brings out the best California has to offer. Here are some of the best accents I saw at this years convention.

 

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Posted October 31, 2014 by California Bonsai Art in Spotlight on Accents

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Accent plants of the 2013 REBS Exhibit   4 comments

The accent plants at this years exhibit keep getting more like Ikebana than an accent for a bonsai. Some of these accents truly take away from the tree exhibited due to the profusion of species mixing in the pots. Aside from that, the artistry used in the making of these accents are breathtaking. A little inspiration for your next accent potting day.

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I thought these too were wonderful accents but have no idea what the purpose of keeping the tags in the accent is for. maybe placing the tag under the slab or matt would look better….DSC_02080208

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Posted August 25, 2013 by California Bonsai Art in Spotlight on Accents

Spotlight on Accents   3 comments

The Accent

The accent is all about story telling. In most cases the story is “season”. The accent represents Earth in the Triad. The bonsai represents Man and the scroll represents Heaven. Man keeps a harmonious balance between Heaven and Earth.

The accent, or “companion plant” is part of the display where while there may be rules, it is a time to be creative. Planting can be made in small rustic pots, handmade with rough textures and special glazes, smaller pieces of driftwood or roof tiles, broken pottery, old rusty cans and flat pieces of wood.

In spring, flowers should be held to one or two blooms and the rest in buds. Toko Kazari is about subtlety. The size of the stand under the accent. Is a flowering plant used, should it be a stone or a carving? In the end this last item is really very important. In fact it may so important that the best course of action is to leave it out. In Keido display, formally introduced by Takeyama and then taught to Kobayashi, Kimura and Sudo, the accent is left out and only a tree and scroll are displayed. Why? Sometimes that is all that is needed to encapsulate the perfect feeling. Don’t schlock it up.

More often than not a Kusa in a Keido display will contain only one species of plant within the pot. This is just keeping the display on the simple side. Mixed species Kusa become distracting as the eye is constantly being drawn to the wonderful array of species growing in the pot. Save the mixed species for Ikebana. If usuing mixed plants keep in mind that the plants should all come from similer environments. Desert areas or water areas, high mountain flowers and sedges. When using flowering plants for display, keep in mind the time of the season. Is it early spring, late Spring, early summer, late summer, etc.,etc. In early spring keep flowers to one blossom maybe two at the most. The species can also have a couple blossoms as to kindle the emergence of more flowers but no just yet. That is story telling. A late summer display may contain more flowers and no buds, but maybe an empty calyx depicting it is getting ready for summer and no flowers. L ight colored pots in the pastel range of blues , yellows and green will work for spring and summer. Pots of the Kusa can be more ornamental than the main object. This is where you get to show that small piece of creativity in about 6 square inches.

Fall can be shown with dried grasses turning brown or tall flat leaved stems with burnt ends and edges from the summer just passed. Small leaved succulents with reddish leaves are also good here and can depict most any season since they look much the same all year long unless blooming. Dark color pots are appropriate here, dark blues and rusty colored pots as well as unglazed pots look good in fall and winter. Here is a sample of some of the more common plants used in making companion plants.

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Black Brass Buttons
Leptinella

 

 

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Double Alpine Geranium
Erodium Reichardii

 

 

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Golden Jenny
Lysimachia nummularia “Aurea”

 

 

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Creeping Fig
Ficus Pumila

 

 

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Italian Oregano
Origanum x majoricum

 

 

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Lemon Thyme
Thymus x citriodus

 

 

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Creeping Thyme
Thymus serpyllum

 

 

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Blue Star Creeper
Isotoma Fluviatilis

 

 

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Austalian Violet
Viola Hederacia

 

 

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Elfin Thyme
Thymus Serpyllum “Elfin”

 

 

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Wooly Thyme
Thymus Pseudolanuginosus

 

 

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Sedum
Sedum spurium “Tricolor”

 

 

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Sedum
Sedum breviulium

 

 

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Carpet Bugle
Ajuga reptans

 

 

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Pink Knotweed
Persicoria capitata

 

 

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Trailing Lantana
Lantana sellowiana

 

 

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Dwarf Mondo Grass
Ophiopogon

 

 

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Pink Chablis Dead Nettle
Lamium maculatum “Puink Chablis”

 

 

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Chameleon Plant
Houttuynia cordata

 

 

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Rosy Maidenhair
Adiantum hispidulum

 

 

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Ghost Fern
Athyrium x Ghost

 

 

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Button Fern
Pelaea rotundafolia

 

 

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Arching Japanese Holly Fern
Cyrtomium fortunei var. civicola

 

 

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Himilayan Maidenhair Fern
Adiantum venustum

 

 

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Coral Bells
Heuchera sanguinea

 

 

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Stipa
Tenuissima

 

 

Accent plants from the many exhibits I have attended.

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